Posts Tagged ‘Wings Theatre Company’

‘OfficeBLOCK’ ends tomorrow night where we will have a braai afterwards, small and cosy and keeping us down-to-earth with the people who love and support us the most, before we take the piece off to America, to share and build it with the amazing people at Wings Theatre of Quest Visual Theatre.

So far the response has been great. Here are two reviews, by Rory Berry and Mariana Malan and if you’re not so clued up on Afrikaans, the Google Translate application gives you the jist of what Die Burger is getting at.

AnaEven though our beloved Tink couldn’t make it, she sent her words with Ana and filled the air with her spirit.

As a draft for the final piece that will be made for QuestFest (US) and National Arts Fest (SA) 2012 the piece is showing a strong foundation. For this very short run, we’ve opened ourselves right up for feedback from our audiences. We’ve made space for the patrons to comment in on our foyer display, or in private with the director after the show. The work is, at the end of the day, about the audience, so who better to give us feedback? The audiences have this week been made up of new faces, press and the backbone of FTH:K’s sanity, the FTH:K Family.

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The FTH:K family, which originally started out as actual family members, has grown to include supporters of the work, from public, the press, collaborators and contributors. We hope that in the months to come, these characters in our community will be of the American variety too. Check these family photos by our amazing publicist Christine Skinner:

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Just two more performances left! Our trainees really showing their mettle. Come see! While you’re at it try get your hands on our OfficeBLOCK’ badges, they’re selling like hot cakes!

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Sneak Pictures from Friday’s rehearsal below!

OfficeBLOCK opens on Wednesday, with a preview on Tuesday night.

Rob, our artistic director and award-winning lighting designer will be spending today working out technical cues and once again showing-off his fabulous eye for lighting. Given that 3/4’s of the performers are Deaf, he has to take into account that the Deaf are hugely reliant on their sight and appropriate lighting for balance – especially when climbing on one another!

Jayne has been designing the set and costume. Although Jayne is from historically Joburg, she will give any designer in Cape Town a run for their money with her know-how of Cape Town’s streets,  and her keen eye for design and bargain.

Our newcomer Gali has been lending her hand in the dance department.  Gali Kumwimba nee Malebo, our education co-ordinator, has been involved in musical theatre up in the Free State and has been blessing us with her presence since June.  She is generally the quiet type, that is, until the music starts.

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OfficeBLOCK, is a series of vignettes which details the corporate world, and is also a chance for the public to see the talent we have been harvesting in the form of our trainees Marlon, Christo and Sinethemba. Make no mistake, these are not actors taken because, “ag shame, they’re Deaf” but because their stage presence and physicality is enormously spectacular. This is a chance for the you, the public, to see the value of what FTH:K does, integrating the Deaf and hearing onto one stage. The trainees will perform alongside our Fleur du Cap nominee Liezl de Kock.

This piece will only grow from here and your input is wholly welcome after the show. Next year we take the piece to QuestFest where we integrate with Wings Theatre Company. Following QuestFest we will be bringing the piece to National Arts Festival, to debut on African soil.

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FTH:K is an award-winning company and Ismail Mohamed, National Arts Festival Director, had this to say about FTH:K’s Herbert Dhlomo Naledi Award to Emerging Theatre Company:

“In the presentation of the award the word “emerging” was not to denote newcomer on the block but it was intended to acknowledge a company whose work is giving rise to newly emerging forms of artistic expression, entrepreneurial best practices and a commitment to grow social consciousness through quality driven entertaining theatre productions. The first ever award in this category receives its own sense of value by it being given to a company that celebrates a strong track record of representing the values envisioned by this award.”