Posts Tagged ‘gali kumwimba’

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Sneak Pictures from Friday’s rehearsal below!

OfficeBLOCK opens on Wednesday, with a preview on Tuesday night.

Rob, our artistic director and award-winning lighting designer will be spending today working out technical cues and once again showing-off his fabulous eye for lighting. Given that 3/4’s of the performers are Deaf, he has to take into account that the Deaf are hugely reliant on their sight and appropriate lighting for balance – especially when climbing on one another!

Jayne has been designing the set and costume. Although Jayne is from historically Joburg, she will give any designer in Cape Town a run for their money with her know-how of Cape Town’s streets,  and her keen eye for design and bargain.

Our newcomer Gali has been lending her hand in the dance department.  Gali Kumwimba nee Malebo, our education co-ordinator, has been involved in musical theatre up in the Free State and has been blessing us with her presence since June.  She is generally the quiet type, that is, until the music starts.

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OfficeBLOCK, is a series of vignettes which details the corporate world, and is also a chance for the public to see the talent we have been harvesting in the form of our trainees Marlon, Christo and Sinethemba. Make no mistake, these are not actors taken because, “ag shame, they’re Deaf” but because their stage presence and physicality is enormously spectacular. This is a chance for the you, the public, to see the value of what FTH:K does, integrating the Deaf and hearing onto one stage. The trainees will perform alongside our Fleur du Cap nominee Liezl de Kock.

This piece will only grow from here and your input is wholly welcome after the show. Next year we take the piece to QuestFest where we integrate with Wings Theatre Company. Following QuestFest we will be bringing the piece to National Arts Festival, to debut on African soil.

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FTH:K is an award-winning company and Ismail Mohamed, National Arts Festival Director, had this to say about FTH:K’s Herbert Dhlomo Naledi Award to Emerging Theatre Company:

“In the presentation of the award the word “emerging” was not to denote newcomer on the block but it was intended to acknowledge a company whose work is giving rise to newly emerging forms of artistic expression, entrepreneurial best practices and a commitment to grow social consciousness through quality driven entertaining theatre productions. The first ever award in this category receives its own sense of value by it being given to a company that celebrates a strong track record of representing the values envisioned by this award.”

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When Thumeka broke her leg, Benchmarks won an award, bringing fresh perspective to the idiom, “Break a leg”.

(It’s not broken-broken, it’s really badly bruised and swollen because some loser drove badly, but the point is, she can’t walk on it, and in theatre, it’s as good as broken, Thumeka played the character Hope and was replaced by Tanya Heywood for the Out The Box run of Benchmarks.)

Ugli Bob, The Shadow in The Background, Jayne Centre Row on the Far left, and the rest of the Benchmarks Crew bearing their characters masks

FYI: “Break a leg” has no definite origin but what is suspected is that breaking a leg refers to breaking onto stage past the curtains that hide the wings, curtains which are known as legs.

The Handspring Awards rounded up the Out the Box Festival on Sunday the 11th of September at the Little Theatre. Handing out the awards were Janni Younge and Chuma Sopotela. Puppets, according to Handspring, are objects manipulated before an audience meaning that masks then also fall under this category.

Here’s what they awarded us:

The Best Visual Theatre Production:

  • Nominees: Benchmarks, Door, Inua
  • Winner: Inua (Adult Festival) presented by Jori Snell and the Baba Yaga Theatre is a search for the essence (the inua) of things spiritual, emotional, physical.

The Best Puppet Design:

  • Nominees: Cristina Salvoldi for Benchmarks, Hillette Stapelberg and Illka Louw for Isangqa/Sirkelpad, Gavin Younge for After Cardenio
  • Winner: Gavin Younge for After Cardenio (Adult Festival), written and directed by Jane Taylor in collaboration with Gavin Younge, Aja Marneweck and Paper Body Collective, is an imagined reworking of the historically archived “missing” play, Cardenio, one of the last pieces Shakespeare wrote.

The Best Puppet Manipulation:

Jane Taylor, Ugli Bob and the fastest hand in the world.

  • Nominees: Benchmarks, Massacre de Mueda, Sadako
  • Winner: Benchmarks (Adult Festival) presented by FTH:K is about three desperate and lonely individuals who get drawn into an unlikely relationship that will lead them on a journey of discovery, companionship, tragedy, and reconciliation.
(Taken from the Out The Box Website)

And last but not least, FTH:K aslo won a small but very important token of appreciation from the Nuwe Hoop Centre for the Hearing Impaired out in Worcester where we have been touring with workshops and shows for years.

Gali with our token of appreciation from Nuwe Hoop!

This is showbiz, and applauses like these mean we must be doing something right.