Archive for the ‘Out the Box’ Category

When Thumeka broke her leg, Benchmarks won an award, bringing fresh perspective to the idiom, “Break a leg”.

(It’s not broken-broken, it’s really badly bruised and swollen because some loser drove badly, but the point is, she can’t walk on it, and in theatre, it’s as good as broken, Thumeka played the character Hope and was replaced by Tanya Heywood for the Out The Box run of Benchmarks.)

Ugli Bob, The Shadow in The Background, Jayne Centre Row on the Far left, and the rest of the Benchmarks Crew bearing their characters masks

FYI: “Break a leg” has no definite origin but what is suspected is that breaking a leg refers to breaking onto stage past the curtains that hide the wings, curtains which are known as legs.

The Handspring Awards rounded up the Out the Box Festival on Sunday the 11th of September at the Little Theatre. Handing out the awards were Janni Younge and Chuma Sopotela. Puppets, according to Handspring, are objects manipulated before an audience meaning that masks then also fall under this category.

Here’s what they awarded us:

The Best Visual Theatre Production:

  • Nominees: Benchmarks, Door, Inua
  • Winner: Inua (Adult Festival) presented by Jori Snell and the Baba Yaga Theatre is a search for the essence (the inua) of things spiritual, emotional, physical.

The Best Puppet Design:

  • Nominees: Cristina Salvoldi for Benchmarks, Hillette Stapelberg and Illka Louw for Isangqa/Sirkelpad, Gavin Younge for After Cardenio
  • Winner: Gavin Younge for After Cardenio (Adult Festival), written and directed by Jane Taylor in collaboration with Gavin Younge, Aja Marneweck and Paper Body Collective, is an imagined reworking of the historically archived “missing” play, Cardenio, one of the last pieces Shakespeare wrote.

The Best Puppet Manipulation:

Jane Taylor, Ugli Bob and the fastest hand in the world.

  • Nominees: Benchmarks, Massacre de Mueda, Sadako
  • Winner: Benchmarks (Adult Festival) presented by FTH:K is about three desperate and lonely individuals who get drawn into an unlikely relationship that will lead them on a journey of discovery, companionship, tragedy, and reconciliation.
(Taken from the Out The Box Website)

And last but not least, FTH:K aslo won a small but very important token of appreciation from the Nuwe Hoop Centre for the Hearing Impaired out in Worcester where we have been touring with workshops and shows for years.

Gali with our token of appreciation from Nuwe Hoop!

This is showbiz, and applauses like these mean we must be doing something right.

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FTHK is buzzing again.

PPC wins BASA Award for their work with us!

Last night, Ana and Ugli hit the BASA Awards in Jozi where 3 of our funders were up for awards for the contributions to FTHK. As a special treat, Basil Jones and Adrian Kohler of Handspring Puppet Company presented ‘Topthorn’ of their world famous War Horse production. (Read further to get an upclose and personal look at the horse puppets of Handspring)

Adrian Kohler, Topthorn... and is that... Craig Leo ?

In the world of arts management, it’s no secret that your funders are your backbone, but far too often they don’t get the credit they deserve. It’s no longer  about just printing a logo at the bottom of your flyer: it’s about celebrating the work of the people who support you.

This year, PPC, Distell and CitiVibe were all nominated for supporting FTHK, with PPC winning the BASA Award for Increasing Accessibility to the Arts.

Picture by Rob Murray

Ana of FTHK and Franci of PPC with the Loot!

Last year, PPC sponsored our Tell-Tale Signs Tour, which gave our Deaf trainees the opportunity to tour the country, performing Tales from the Trash and conduct clowning workshops to Deaf schools around the country.

 All our funders really are the wind beneath our wings..  Thanks to them (as well as Bette Midler) we can present to you:

Benchmarks in Cape Town!

Rob Murray docks his ship at the NAF, headed for Cape Town's Out The Box Festival

For only 3 shows, Benchmarks will be performing at this years Out The Box Festival, which we’ve heard is bigger and bolder than before. More than anything, we absolutely love playing for our home-crowd, our biggest supporters.  The piece is even set in Cape Town, and if that doesn’t pay homage we’re not sure what will.

Have you yet heard about it from the horse’s mouth?

If you’re in Cape Town and want to get a full package of visual and cutting edge theatre, book a tour with CoffeebeansRoutes who will be taking groups of people to the Handspring Puppet Company workshop, where you can get a close up view of the mechanics of the puppets, followed by a meet the artist drink, and in their words, then watch one “OTB’s top shows”, Benchmarks on Thursday the 8th of September.

We, as FTHK, are so grateful for all the support we receive, from our funder friends to and our loyal family members. You guys make this all possible.

Come see us, Benchmarks and a conspiracy of clowns’s Kardiavale at the festival.. and as per usual… book at Computicket!

Dates for FTHK’s Benchmarks at Hiddingh Campus

  • Thursday 8 September: 17:00 and 20:00
  • Friday 9 September: 11:00

Dates for a conspiracy of clowns’ Kardiavale at Hiddingh Campus

  • Monday 5 September: 18:00 and 21:30
  • Tuesday 6 September: 11:00
Visit FTHK online for anything else you might like to know.

Non – Verbal  101.

“Peace!”

or

“V for Victory”

“Well done!”

or

“Can I get a ride?”

or

“Let the gladiator live”

Your mother.

One day, Oke and China were chatting.

“Howzit bru, check, you must come check this show, Benchmarks, at Out the Box Festival on the 8th and 9th of September, it’s this non-verbal.. “

“Non-verbal?”

“Ya, they don’t use words.”

“Ag no man, “

“Just listen, Benchmarks is”

“Benchmarks? I’ll out bench you and your man-sister.”

“Not that kind bench man, and my sister will moer you. “

“Did she say something about me?”

“No man, why?”

“Just asking”

“So ya, this the new show from FTH:K, was on the National Arts Main Programme, which means they are like the kak of theatre.”

“The kak?”

“Like the shit but..”

“Die kak.”

“KKNK thing. “

“Righto. With you.”

“Anyway, they do non-verbal visual theatre, each of the performers wears these flippin’ amazing masks”

 “Wait, wait, wait, go back what is ‘non-verbal’?”

“Yeah, something about hearing with your eyes,”

“Hearing with your eyes? No man. Is this this new girlfriend of yours, making you watch this poefde stuff.”

“Poefde? Who you calling a poefde?”

You used to hate art man

“Yeah but this was like.. you know, cool. (PAUSE) They do this fokking funny thing with Single Ladies ey, you will laugh.”

“Hahaha, that’s what you used to do, funny things to single ladies, before you met that culture-vulture woman of yours,  turning you into a poefde. I’d rather date your sister than your lady.”

“Hey china, I’m warning you,

Poefde is a offensive term.”

“AN Offensive term.

What?”

“You know I hate it when you correct me”

“Okay, okay man, what about this non-word-al”

“Non-verbal. They make all their shows so that they be heard by the Deaf okes and people that can hear.”

“The Deaf can’t hear you poephol.”

“It’s simile, no, a metaphor, like, like..”

“Tata Ma’Chance Tata Ma Millions”

“Isn’t that the Lotto slogan? Is that also a metaphor?”

(PAUSE)

“Similar, similar”

“Similar ya no def.”

(PAUSE)

“So yah Benchmarks ey… it’s about these 3 people, a oke at Home Affairs, a beautiful old lady and this refugee, all misplaced, all in masks, all looking for…”

“So now do they use sign-language?”

“No.. it’s non-verbal…”

“Fok man, what do you mean non-verbal?”

“Listen with your eyes bru, like check:”

“Listen with your eyes. So you going to come?”

“Ya no cool, flip, hundreds, but ya so, can your sister come?