Listen Eyes buttons white backgroundYes, everyone! South Africa’s premier Deaf and hearing theatre company is back on tour with new and exciting partnerships and programmes. As you know, from 2005 – 2012 we operated as the only full-time theatre company of its kind in the country. Well, in 2013 we decided to shake things up again and started a process of restructuring ourselves in recognition of the internal changes in the company as well as the changing environment of Arts and Culture both nationally and internationally. Huh?! In short, it means that we have ditched the bricks-and-mortar elements of the company in favour of broader, more exciting programming, and are focussing strongly on national and international collaboration. While there might not be groups out there doing exactly what we do, there are people who share the same artistic and educational goals. And with money in the industry getting tighter than a lug nut, it becomes almost irresponsible not to partner with like-minded organisations to share resources and maximise achievements. So, with satellite offices in Cape Town, Grahamstown, and Washington, DC, FTH:K has adopted the idea of a global village and truly gone mobile!

We had a good long think about what we do, what we stand for, and what inspires us to come to work every morning, and we realised three things: 1) that we want to make visual theatre, 2) that we believe we have a meaningful role to play in education, specifically within the Deaf communities, and 3) that 1 and 2 are not mutually exclusive ideas. In many ways it is a mirroring of how FTH:K started in the first place, just without the jugs of Bavarian Lager. So once more, we have adapted and are back on tour to bring the magic of FTH:K to the world and (with apologies to SAA) to bring the world to FTH:K!

We have some awesome new partners who have joined us this year including Deaf performer and educator Ramesh Meyyappan and Clowns Without Borders South Africa, while our international relationship with Quest Visual Theatre has strengthened significantly. Dominican School for Deaf Children – where we started our very first programme years ago – remains with us in a newly revised approach to our Tell-Tale Signs Programme, and Sjaka Septembir is heading up the teaching on that. Of course, SLED are still our go-to guys in so many language-based areas. And let’s not forget all the Deaf and hearing schools, organisations and institutions around the country that we work with every year.

So, has FTH:K changed? In some ways. Is it still innovating? Is it still inspiring? Is it still finding exciting ways to COMMUNICATE * EDUCATE * and FASCINATE? You better believe it! So here we go, guys. It’s time for a new and exciting FTH:K adventure!

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